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Category: painting

04.13.10

Spring Light

This  past winter was exceptional for me as I did not retreat into the malaise due to the lack of light.  I happen to love to collect all things.  And one winter evening as i took a visual inventory, I realized lighting happens to be one of “those things”.  I’ve decided to share a few of my personal decorative lighting pieces that carried me through the season of cold dark skies.

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"24 Karat Blau" designed by Axel Schultes for Ingo Maurer

First shown is the 24 Karat Blau hanging lamp. It is a flexible design by Axel Schulte for the famous House of Ingo Maurer, the German lighting studio who for the past three decades has been creating whimsical lighting designs.  Maurer’s designs are even included in the Harry Potter films to decorate and light the Great Hall of Hogwarts School of Witchcraft and Wizardry.  The effect created by Maurer’s single-lit dangling candles from silken thread is absolutely ghostly.  Read more…

05.11.09

the beauty uncommon

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Blue Billie 2003, Lyle Ashton Harris-Portrait of the artist as Billie Holiday channeling the state of bliss between life and death. Pigment on paperh: 28 x w: 24 in / h: 71.1 x w: 61 cm Image courtesy of Adamson Gallery/ Adamson Editions

I have always enjoyed demonstrations of the perverse, tragic, sad and explicitly graphic visuals in all forms of art. European culture by way of ancient mythological allegory exemplify these concepts in classical works and are at the core of this modern heritage.

Abstracting terror and the ensuing emotion to the highest level can have  rapturous  value. The tragedy and despair in the love story between Romeo and Juliet just  about  says  it  all.

Queer warped objects and creatures are buried and littered in the work of Salvador Dali. His visions destabilize what we assume about “reality.” The physics of gravity do not limit  the possibilities of new landscapes and cities in his dream world. Narratives referring to the trials of martyrs within religious text can compete with the gore in any of Wes Craven’s horror flicks.

Dali’s gruesomely surreal imagery is also reminiscent of Mel Gibson’s visual requiem in Passion of the Christ. The film was so shocking to me because the brutal destruction of the Jesus character remains a vivid memory from my childhood. Growing up with a mother who quoted many a Shango-Baptist rhetoric, I believed that I had an intimate relationship with Him. Read more…

Leyden